After months of negotiating times for rehearsals and recordings, here I am having had such a warm and tender experience with four of the finest musicians I've had the pleasure to know and work with. We went to the Promiseland of our creative spirit and were richly fulfilled. Thankyou gentlemen"

He has recently signed with Proper Music and his ambitious debut album All Is Know is a celebration of the work of Thelonious Monk.

Tony has colaborated with Joan on various projects including the band Coast 2 Coast and his virtuoso playing can be heard on Joan's new album Promiseland

Anders was born in Sweden and came to live in the U.K. in the early 90's. He studied with Jason Rebello and began playing jazz, funk, blues, soul and R'n'B on tour throughout the U.K. Since 1998 Anders has worked with various musicians and bands in England and Europe, including Peter Gabriel, Pee Wee Ellis (Saxophone/Composer with James Brown & Van Morrison's band), Tony Kofi (Saxophone/Composer), Mississippi John L Watson (vocals with Jimi Hendrix etc.) Cameron Pierre, the Courtney Pine Quartet and Tony Remy.

Anders has performed with Joan many times in recent years and features on her new album Promiseland

1979 - Studied with ex-Tubby Hayes drummer Bill Eyden. 1985 studied drums with Trevor Tomkins at Guildhall School of Music. Has played with many musicians including Courtney Pine, Bheki Mseleku, Jason Rebello, Gary Husband, Pete King, Dick Heckstall-Smith, Iain Ballamy, Leroy Osbourne, Ronnie Scott Band, Julian Joseph, Andy Sheppard, Tony Remy, Steve Williamson Band, Jean Toussaint Band, Slim Gaillard, Bobby Watson, Monty Alexander, Gary Bartz, Art Farmer, Archie Shepp, Freddie Hubbard etc. Has appeared at many International Festivals & recorded albums with Frevo, Roadside Picnic, Jean Toussaint, Andy Hamilton, Brian Dee Trio, Harry Beckett Quintet & Jan Ponsford. Appeared on Channel 4, BBC 2 & ITV as well as radio broadcasts.

Winston appears on Joans latest album Promiseland

Singer Joan Davis' new CD is called Promiseland and for Joan it must be like reaching her own promised land. It is magnificent, the Joan Davis album we have all been waiting for. It is a beautiful piece of work, by far the best representation yet of what Joan is all about. Promiseland is a true jazz album and vastly different to the multitude of female singer-led albums that fill up jazz sections these days.

This lady sings the jazz African-American style, with the reference points being Betty Carter, Sarah Vaughan, and Carmen McRae. It is earthy and improvisational with a dedication to social good that is culturally characteristic and very refreshing. Promiseland, and Joan's music in general, is generous and communal; this is not a diva with her backing band, it is a musical unit of equals and, man, what equals these players are.
Everyone has lots of space and they flourish in it. Tony Kofi, who this year is finally beginning to break into the UK consciousness as one of its most skilled and profound saxophonists, is stunning throughout. He plays mostly soprano, alto on two tunes, baritone on one. His playing is consistently inventive with a burning soulfulness that exceeds his comprehensive technique.

Winston Clifford on drums is an unstoppable force. Light, yet incredibly propulsive, he plays a lot without it ever seeming busy. Bassist Larry Bartley is a revelation, someone I hadn't heard before but hope to hear again, and again. He grooves on double bass like Motown legend James Jamerson did on electric. That is, he plays jazz without losing sight of the rhythm of the song.

I would say I'm leaving the best for last, but it would be wrong to put any one of these brilliant musicians in front of the others. Nevertheless, pianist Anders Olinder just plays out of his skin on this one. Anders isn't difficult to miss around Avon; he seems to be everyone's favourite keyboardist, and we can see why. He always picks up on everything going on around him and plays to it; he is on everyone's wavelength. On Promiseland he does all that and more with a series of standout piano solos.

Joan sounds great and sings great. Here, properly presented, Joan's voice has a depth and fluidity that is both lovely and impressive. She swoops and soars with accuracy, but the centre of her voice is lower midrange and here it has a resonance and texture that Carmen McRae would envy. It is clearly her album; she sets the tone and style and it is fertile ground for all.

The songs are standout too: a combination of Joan's originals, jazz songs by Horace Silver, Betty Carter and Ellington-Strayhorn, and a couple of rare Broadway numbers that don't sound it. Joan's songs, particularly `Warm and Tender' and `Ritual', are among the best things on the album. The album is gorgeously recorded and comes in a beautiful sleeve, but best of all is the music inside, soulful and true jazz that is all too rare.

Charley Dunlap